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Hybrid Being 3 : Abhisarika Nayika and The Jerdon’s Courser

45.5 x 49.5 cm

Watercolor and Gouache on Paper


The work invokes a philosophical personal romantic relationship between Abhisarika Nayika and The Jerdon’s Courser. The painting narrates the story when Abhisarika Nayika(heroine) is venturing into the forest full of dangers at night to search for her lover “The Jerdon’s Courser”. She is a hybrid being and her face is metamorphosed with her lover’s face. 


The Jerdon’s Courser is a critically endangered bird that is nocturnal and belongs to the pratincole and courser family Glareolidaeendemic to Southern India. The flora and mountains in the painting are bent in a way as if glancing at Abhisarika.

About: Hybrid Beings

These works aim to decolonize women’s bodies and the sovereignty of nature. To envision new ontological entanglements it intersects boundaries of speculative fiction, archetypal allegories, and precarious ecologies. 

The paintings below propose a number of situations and stories to imagine forms of relationality and mutuality between bird species (both endangered and extinct) and selected heroines who belong to the Ashta-Nayika [Natyashastra, c. 2nd B.C]: a collective term for eight heroines, each of whom represents different states in relationship to her hero resulting in hybrid beings(they/them). These hybrid beings operate on different layers of interpretation. The hybrid beings respond to the ecological grief and loneliness by postulating a queer ecology where the endangered bird becomes the hero, replacing the male patriarchal figure from the context of Ashta-Nayika. 

The Hybrid Beings generate hope and care to cultivate the capacity to reimagine a future for the marginalized and silenced. They speculate on near futures and rethink the notions of identity and interdependency. The hybrid beings become a window to peek into future and past animals (beings)(myths) that have gone extinct with the evolution and those that are yet to evolve either naturally or with bio-geo-hacking of present-day technology. They stitch together improbable collaborations between humans and more-than-humans, making way for kinship. Hybrid Beings push back against the centering of the human and move toward thinking that eradicates the hierarchy of being and challenges the life/non-life binary. They make way for an ontological pursuit of what it means to be human, what it means to be non-human, and where these categories rupture and collide. 


These hybrid beings open up possibilities for a post-queer and post-human world where species move away from questions of identity, recognition, or representation towards an uncanny kind of becoming.

The situations and stories in these works evoke imagination in the viewer’s mind to remember the forgotten notions of care and symbiosis. 

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